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Barot House is a suspense-thriller-drama film about an upper middle-class Indian family caught in the whirlwind of murder and crime.^[1]

Cast[edit]

• Amit Sadh as Amit Barot
• Manjari Fadnis as Bhavana Barot
• Aaryan Menghji as Malhar Barot
• Aseem Hattangadi as Anthony D'Souza
• Farida Patel Venkat as Pramila Patel
• Kiearra Soni as Shreya Barot
• Kishaa Arora as Shruti Barot

Plot[edit]

Amit Barot, the patriarch of the Barot House lives in a serene neighbourhood in Daman with his family comprising his wife, mother, and 4 children- a son and 3 daughters (and the fifth on the way!) Suddenly, the family is plagued with ill-fate and multiple killings start taking place in and around the Barot House. Things get complicated because everyone is a suspect. No-one can tell the guilty from the innocent. Trapped in the middle of this bloodfest, Amit and Bhavana's relationship is getting strained. Set in an interesting plot, it may seem like the mystery is solved but twists keep on coming but ends up just being a distraction. The police force doesn’t do anything interesting than just pointing a person as guilty just because the person hasn’t proved to be innocent. The plot has a reference to a few paintings which points towards massacre.it is shown that the son Malhar is guilty of all the murders including his sisters and the neighbour kid. Then he is sent for juvenile. There with his actions he shows everyone that he is protecting his father. Amit is arrested and his son is released. In the end it is shown that son throws his youngest sister in the well and its witnessed by the mother, Manjari. He was doing all this because he is suffering from schizophrenia.

References[edit]

1. ^'Barot House Movie Review: Amit Sadh and Manjari Fadnnis starrer is a jaw-dropping, edge of the seat thriller'. TimesNow. 7 August 2019.

External links[edit]

• Barot House on IMDb

Devdas (Bengali: দেবদাস, transliterated as Debdās) is a Bengaliromance novel written by Sarat Chandra Chatterjee. Despite being finished in September 1900,^[1] the novel was not published until June 1917 due to Chatterjee's hesitance over some autobiographical elements.^[2] According to Chatterjee's own words, he wrote it under the influence of alcohol and was embarrassed of the work.^[2]

The story pivots a tragic triangle linking Devdas, an archetypal lover in viraha (separation); Paro, his forbidden childhood love; and Chandramukhi, a reformed courtesan.^[3]Lufthansa cargo prices. Devdas has been adapted on screen 20 times for film and 5 time for single song.

Plot summary[edit]

Devdas is a young man from a wealthy BengaliBrahmin family in India in the early 1900s. Parvati (Paro) is a young woman from a middle class Bengali Brahmin family. The two families live in a village called Taalshonapur in Bengal, and Devdas and Parvati are childhood friends.

Devdas goes away for a couple of years to live and study in the city of Calcutta (now Kolkata). During vacations, he returns to his village. Suddenly both realise that their easy comfort in each other's innocent comradeship has changed to something deeper. Devdas sees that Parvati is no longer the small girl he knew. Parvati looks forward to their childhood love blossoming into a happy lifelong journey in marriage. According to prevailing social custom, Parvati's parents would have to approach Devdas's parents and propose marriage of Parvati to Devdas as Parvati longs for.

Parvati's mother approaches Devdas's mother, Harimati, with a marriage proposal. Although Devdas's mother loves Parvati very much she isn't so keen on forming an alliance with the family next door. Besides, Parvati's family has a long-standing tradition of accepting dowry from the groom's family for marriage rather than sending dowry with the bride. The alternative family tradition of Parvati's family influences Devdas's mother's decision not to consider Parvati as Devdas' bride, especially as Parvati belongs to a trading (becha -kena chottoghor) lower family. The 'trading' label is applied in context of the marriage custom followed by Parvati's family. Devdas's father, Narayan Mukherjee, who also loves Parvati, does not want Devdas to get married so early in life and isn't keen on the alliance. Parvati's father, Nilkantha Chakravarti, feeling insulted at the rejection, finds an even richer husband for Parvati.

When Parvati learns of her planned marriage, she stealthily meets Devdas at night, desperately believing that he will accept her hand in marriage. Devdas has never previously considered Parvati as his would-be wife. Surprised by Parvati's boldly visiting him alone at night, he also feels pained for her. Making up his mind, he tells his father he wants to marry Parvati. Devdas's father disagrees.

In a confused state, Devdas flees to Calcutta. From there, he writes a letter to Parvati, saying that they should simply continue only as friends. Within days, however, he realizes that he should have been bolder. He goes back to his village and tells Parvati that he is ready to do anything needed to save their love.

By now, Parvati's marriage plans are in an advanced stage. She refuses to go back to Devdas and chides him for his cowardice and vacillation. She, however requests Devdas to come and see her before she dies. He vows to do so.

Devdas goes back to Calcutta and Parvati is married off to the widower, Bhuvan Choudhuri, who has three children. An elderly gentleman and zamindar of Hatipota he had found his house and home so empty and lustreless after his wife's death, that he decided to marry again. After marrying Parvati, he spent most of his day in Pujas and looking after the zamindari.

In Calcutta, Devdas's carousing friend, Chunni Lal, introduces him to a courtesan named Chandramukhi. Devdas takes to heavy drinking at the courtesan's place; she falls in love with him, and looks after him. His health deteriorates through excessive drinking and despair – a drawn-out form of suicide. In his mind, he frequently compares Parvati and Chandramukhi. Strangely he feels betrayed by Parvati, though it was she who had loved him first, and confessed her love for him. Chandramukhi knows and tells him how things had really happened. This makes Devdas, when sober, hate and loathe her very presence. He drinks more and more to forget his plight. Chandramukhi sees it all happen, suffering silently. She senses the real man behind the fallen, aimless Devdas he has become and can't help but love him.

Knowing death approaches him fast, Devdas goes to Hatipota to meet Parvati to fulfill his vow. He dies at her doorstep on a dark, cold night. On hearing of his death, Parvati runs towards the door, but her family members prevent her from stepping out of the house.

The novella powerfully depicts the customs of society that prevailed in Bengal in the early 1900s, which largely prevented a happy ending to a true and tender love story.

Film, TV, and theatrical adaptations[edit]

The novel has been made into films in many Indian languages, including Bengali, Hindi, Telugu, Tamil, Urdu, Assamese and Malayalam.^[4][5][6] It is the most filmed non-epic story in India.

Notable film versions of the novella include:

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• In Guru Dutt's critically acclaimed film Kaagaz Ke Phool, a sub plot involves Dutt directing a film titled 'Devdas' with Waheeda Rehman playing Paro.
• In Haath Ki Safai, a song in the movie is about the play Devdas with Randhir Kapoor as Devdas and Hema Malini as Chandramukhi.^[7]
• In the Tamil remake of the song, Kamal Haasan plays Devdas and Sripriya plays Chandramukhi.
• A sequel of the 1953 Telugu version of Devdas was released in year 1978, titled Devadasu Malli Puttadu.
• In the 2012 Hindi film Kyaa Super Kool Hain Hum, a dream sequence has Tusshar Kapoor as Devdas, Neha Sharma as Paro and Sarah Jane Dias as Chandramukhi.

See also[edit]

• Parinita/Parineeta (1914)

References[edit]

1. ^Sen, Sukumar (1353 Bengali Year). Bangla Sahityer Itihas বাঙ্গালা সাহিত্যের ইতিহাস [History of Bengali Literature]. V:3. Calcutta: Modern Book Agency. p. 552.
2. ^ ^ab'শতবর্ষে দেবদাস'. Prothom Alo (in Bengali). Retrieved 2018-12-23.
3. ^'The DEVDAS Phenomenon'. The University of Iowa. Retrieved 2018-12-24.
4. ^Sharma, Sanjukta (June 7, 2008). 'Multiple Takes: Devdas's journey in Indian cinema – from the silent era of the 1920s to the opulent Hindi blockbuster of 2002'. Livemint. Retrieved 2009-02-22.
5. ^'The Hindu : The immortal lover'. Archived from the original on 2010-08-09. Retrieved 2006-08-15.
6. ^Devdas phenomenonArchived January 13, 2012, at the Wayback Machine
7. ^Peene Walon Ko Peene Ka Bahana Chahiye – Haath Ki Safai 1974 1080p HD

Further reading[edit]

• Manzar, Benazir; Aravind, Aju (January 2018). 'Devdas to Dev.D : Transformation in the Cinematic World of Devdas'. In Dominic, K. V. (ed.). International Journal on Multicultural Literature (IJML). 8. Modern History Press. pp. 70–76. ISBN978-1-61599-382-6. ISSN2231-6248.

External links[edit]

• The Hindu (newspaper) essay on the novel